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À Fiesole, un itinéraire à travers la nature et les richesses historiques

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La Cathédrale de San Romolo, le Duomo de Fiesole, a été construite par l'évêque Jacopo il Bavaro en 1028, agrandie au XIIIe siècle et restaurée au XIXe siècle, au cours duquel on a réalisé l’aspect néo-gothique de la façade.

La structure interne de la cathédrale est celle d'une basilique romane à trois nefs : la nef centrale est dépouillée à l'exception de l’antependium de l'autel en marbre (1273) et des deux fresques représentant Saint Benoît (1420) et Saint Sébastien, toutes deux réalisées par Pietro Perugino (datant du début du XVIe siècle). Les fresques des Histoires de San Romolo peintes dans l'abside à la fin du même siècle par Nicodemo Ferrucci se trouvent dans le presbytère. Un triptyque de style gothique tardif de Bicci di Lorenzo se trouve sur le maître-autel.

Il y a entre autres deux chapelles sur le côté droit du presbytère, La tombe de l'évêque Leonardo Salutati est le joyau en style Renaissance de la cathédrale et abrite le monument funéraire de l'évêque sous la forme d'un sarcophage en marbre finement sculpté par Mino da Fiesole et rehaussé d'or. En face du sarcophage, vous verrez un retable en marbre avec la Vierge en adoration devant l'Enfant entre saint Léonard et saint Remigius, couronné par l'effigie du Sauveur.

La crypte se trouve à l'étage inférieur. Dans la chapelle sépulcrale des évêques, il y a un panneau du XIIIe siècle qui représente la Vierge à l'enfant au trône : il s’agit de la plus ancienne icône de la cathédrale, probablement réalisée avant 1230. Une porte en fer forgé ferme la partie absidale de la crypte, où les reliques de San Romolo ont été placées.

52:T65b,

La Villa Médicis de Fiesole, déclarée Patrimoine mondial de l'UNESCO, est l'une des plus anciennes résidences Renaissance avec jardin et l'une des villas Médicis les mieux conservées.

Construite entre 1458 et 1461 par Michelozzo, sur ordre de Giovanni dei Medici, deuxième fils de Cosme l'Ancien, il doit sa renommée à Laurent le Magnifique, qui en hérita en 1469 après la mort prématurée de son frère et en fit un lieu de rencontre pour les artistes, les philosophes et les hommes de lettres, tels que Marsilio Ficino, Pico della Mirandola et Poliziano.

L'édifice est un exemple typique de palais du XVe siècle, orné de fenêtres quadrillées en pietra serena et de grandes loggias s'ouvrant sur le panorama, et est resté en possession de la famille Médicis jusqu'en 1671. L'entrée, autrefois située sur la Via Vecchia Fiesolana, a été déplacée en 1772 par Lady Orford dans l'actuelle Via Beato Angelico, ce qui a entraîné le renversement de la Villa et la construction d'une citronneraie, conçue par Niccolò Maria Gaspare Paoletti.
La situation géographique, en légère pente, a conduit à positionner la Villa et le jardin sur trois terrasses.

La Villa est actuellement fermée aux visiteurs, le jardin est ouvert sur sur réservation.

53:T816,

Le Musée Civique Archéologique de Fiesole est situé dans la zone archéologique, juste au-dessus du théâtre romain, dans le bâtiment spécialement construit en 1914 par l'architecte Ezio Cerpi, qui reproduit la forme d'un temple ionique.

Le musée documente l'histoire ancienne de la ville et de son territoire, de l'époque villanovienne aux Étrusques, aux Romains et aux Lombards, et est relié à la zone archéologique adjacente où l'on peut visiter les fouilles du théâtre, des thermes et du temple étrusco-romain.

La collection comprend diverses céramiques, des objets en bronze et en pierre et d'autres objets antiques provenant de la région de Fiesole, ainsi que des matériaux trouvés lors des fouilles du Théâtre, des Thermes et du stipe votif du Temple de Minerve, en plus de l'original torse de lionne en bronze.

La section des antiquités permet d'admirer la splendide collection Costantini, qui comprend des céramiques grecques, magno-grecques et étrusques. Sans oublier la section lombarde : plusieurs sépultures ont été reconstituées et des objets provenant du trousseau funéraire y sont exposés, permettant de comprendre la culture matérielle et les coutumes de cette population de guerriers qui s'est installée à Fiesole à partir de la fin du VIe siècle.

Informations sur l'accessibilité : museidifiesole.it

54:T6a9,

Le Musée missionnaire franciscain se trouve dans le couvent de San Francesco à Fiesole et est accessible depuis l'église du bâtiment. Outre les objets liturgiques et les objets de la vie quotidienne des frères, c'est la présence de multiples artefacts provenant des régions les plus diverses du monde qui caractérise la collection de cette exposition.

Au début du XXe siècle, un certain nombre d'artefacts étrusques ont été découverts près du couvent et ils ont fini par être exposé avec toutes les objets anciens qui ont été récupérés sur ces terres. Toutefois, l'exposition a été considérablement élargie par les pièces qui, à la demande du père Ambrogio Ridolfi, ont commencé à être accumulées par les religieux partis en mission à l'étranger.

Ainsi, dans le but de faire connaître aux fidèles les populations lointaines dont les souffrances étaient soulagées par les missionnaires, deux sections ont été créées, l'une consacrée à la Chine et l'autre à l'Égypte. Vous y trouverez de l’habillement, des instruments de musique, mais aussi des statues, des porcelaines et des ivoires. Dans la section égyptienne, la présence d'une momie datant du XXe siècle avant J.-C. est tout à fait remarquable.

Informations sur l'accessibilité: regione.toscana.it

55:T47a,

La zone naturelle protégée Torrente Mensola s'étend sur environ 300 hectares de Montececeri, sur les collines de Fiesole, à Guarlone, en passant par Settignano. Elle se situe entre les communes de Fiesole et de Florence, en bordure de la zone protégée de Montececeri.
Le paysage vallonné comprend des oliveraies souvent en terrasses, des forêts, des bâtiments médiévaux tels que le Château de Vincigliata et le Château de Poggio, ainsi que des villages, des villas Renaissance, des églises et des fermes.
Le territoire est caractérisé par une mosaïque de territoires formant le typique paysage toscan, un ensemble d’espaces agricoles, forestiers, naturels et de jardins. La végétation forestière est méditerranéenne, les espèces les plus communes étant le chêne vert, l'arbousier, le chêne turc et l'érable champêtre. De nombreuses espèces d'oiseaux et de mammifères, comme les écureuils, les renards, les hérissons et les fouines, seraient présentes dans la région.

56:T46f,

Le complexe Villa Peyron al Bosco di Fontelucente est situé sur les collines de Fiesole, dans une position panoramique d'où l'on peut profiter d’une magnifique vue sur Florence. Il comprend la villa, un jardin formel, un parc, des oliveraies et une forêt.
La Villa Peyron a été acquise par Angelo Peyron le 14 avril 1914 et elle porte le nom de son dernier propriétaire, Paolo Peyron, fils d'Angelo.
La Villa a vraisemblablement été construite sur des ruines datant de l’époque étrusque et, au fil des siècles, elle a subi des rénovations et des transformations jusqu'à ce que l'architecte Ugo Giovannozzi lui donne son aspect actuel.
Le nom « Al bosco di Fontelucente » est dû à la présence d'un bois luxuriant qui abrite à la fois les jardins à l'italienne et une source du XVIe siècle, qui fournit l'eau nécessaire au fonctionnement des nombreuses fontaines et d'un étang.

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Le Parc de Montececeri

À Fiesole, un itinéraire à travers la nature et les richesses historiques

Autres attractions à Fiesole

Attractions • 7 résultats